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Celebrities Under Mind Control Freeman. TV. com. If you believe that slavery is a thing of the past, you are still a slave. The continuity of the practice of slavery on planet earth is staggering. The idea of owning another person is as old as civilization itself, going all the way back to ancient Sumer. Predating all other forms of coerced labor, not only is it ancient, but it is oh, so contemporary..

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When Bob Marley sings about slavery, he calls it the Babylon System and hits the nail on the head. The Bible calls Nimrod, the King of Babylon “a great hunter before the Lord." According to archeology and biblical context, the word “hunter” translates to plunderer or conqueror. Nimrod was immortalized not for his skill in hunting beasts, but in the success of his slave trading and the hunting of men to establish his imperial kingdom of tyranny. Nimrod hunted men and brought them into bondage to Babylon and forced them to build him a great tower to piss off Yahweh.

The foundation of Babylonian society was the slave population; the necessary component of all mass economic activity. The sources of their slave supply were endless. Military conquests furnished many; others had fallen from the position of free laborers; still others were purchased from abroad, or were children of native slaves. Nimrod's Babylon is associated with slavery, military and economic power, seduction, and worship of the state. If you want to see the Babylon system at work today, look no further than Hollywood. Every year the Academy Awards are held in the heart of downtown Hollywood at the Kodak Center.

Elected governments are false fronts coordinated by a global shadow government. Posted By IlluminatiWatcher on Aug 21, 2014 127 comments. Without a doubt, Stanley Kubrick’s film, ‘The Shining’ is steeped in mystery and has sprouted. NATURA : AMORE: ARTE: ANIMALI: CITTÀ: NATALIZI: RICORRENZE: PAESAGGI: FIORI: VARIE: Dipinto di Salvador Domènec Felip Jacint Dalí, Olio su Tela "Noia alla finestra.

Adjacent to the theater is the Hollywood and Highland Center called the Babylon Courtyard. Its décor is taken straight from a 1.

Babylon called Intolerance. Four story columns topped with standing elephants surround an archway depicting two curious characters. The figure on the left holding the basin of water is Enki, one of the Annunaki brothers who were gods of the ancient Sumerians that came to earth to genetically engineer a slave race.

Enki is also known as Ea and is usually distinguished from other gods by two streams of water erupting from his body, or from a pot held in his hands. The figure on the right is the Assyrian god, Nisroch. Both of these gods were usually depicted holding a pinecone like object, believed to be an ancient depiction of the pineal gland, however, in the Hollywood version the glands are strangely absent.

The most famous of slaves were the Jews of Babylon, so it is ironic that their own empire of Hollywood is founded on slavery. During Hollywood’s golden age of the 1. The studio did as much as possible, even dictating social activities and personal relationships to ensure proper exposure of their best stars.

The process of becoming a star invaded every aspect of a person's life. Watch The Four Feathers Online. These actors essentially became the property of the studio once they signed a contract. Remember, the foundation of black magic is the pact or contract.

Actors and actresses operated on strict contracts and this situation kept the power in the studio's hands. An actor's contract also entitled the studio to assign them to any role it chose, as well as loan out its stars to other production companies.

Because of this, stars very often found themselves playing roles they weren't too crazy about. Actors of the studio really had no power or control over their own careers; their futures were at the mercy of the studio that signed them. Watch White Men Can`T Jump Download Full here. With strategic planning and decision making that took place at the highest levels of studio management, they built unknowns into household names. Babylon’s legacy of blood sacrifice, human trafficking and slavery has been handed down through the generations.

It exists today through a practice of slaves creating slaves called trauma- based mind control victims. Survivor of generational Satanic ritual abuse, Jay Parker, recalls a story his mother once told him about the Statue of Liberty. She told Jay that it was, in fact, Semiramis, wife of Nimrod. She said that their tradition of ritual abuse to create slaves was the religion with no name, “the old religion” from the time of Babylon. Today, if an artist wants to “make it” or have their art shared with the rest of the world, there are many gatekeepers and processes of dark initiation that they must pass through. Many times artists, through their work, spell out exactly what they must go through in the name of fame. In her thirteen minute music video, Marry the Night, Lady Gaga explains, in an artistic way, the trauma she is made to endure to become a super star.

In the beginning, Gaga delivers a monologue that defines the plight of a mind control victim. While lying on a stretcher that is pushed by two nurses, she describes the way she perceives reality and only by escaping into her own world is she able to go on: “When I look back on my life, it’s not that I don’t want to see things exactly as they happen, it’s just that I prefer to remember them in an artistic way. And truthfully, the lie of it all is much more honest, because I invented it. Clinical psychology arguably tells us that trauma is the ultimate killer. Memories are not recycled like atoms and particles in quantum physics. They can be lost forever. It’s sort of like my past is an unfinished painting and, as the artist of that painting, I must fill in all the ugly holes and make it beautiful again.

It’s not that I’ve been dishonest, it’s just that I loathe reality.”The creepy nurse that attends to Gaga after her trauma session says, “I remember when I delivered you.” A clue about how slaves are conditioned from birth from inside their circle of friends and family. When the camera pans out, it shows that Gaga is not alone. She is in a ward filled with victims who are going through the same conditioning. In the video, the transformation from the real Stefani to her alter, Lady Gaga, is symbolized by the dying of her hair blonde.

Ritual abuse survivor and Mother of Darkness, Arizona Wilder, explains that the dark occultists prefer their ritual goddesses blonde. In the context of the video, the expression “marry the night” takes on a metaphysical meaning. Marriage is a binding religious ritual. To marry the night means that Gaga is bonded to the elite occult slave masters and embraces her own “dark side”.

The Britney Chronicles. Britney Spears’ career is a perfect case study of trauma- based mind control in the entertainment industry. From Lolita/kitten themes to group sex to Mars and clone labs, practically every aspect of MK ULTRA programming can be witnessed in her career. When her music videos are watched in chronological order, they tell a horrific story of never ending enslavement. Britney has been a performer since her childhood days of Disney’s Mouseketeers and won many pageants and talent competitions in the vein of Toddlers and Tiaras. Her 1. 99. 8 first hit single, Hit Me Baby One More Time, is an obvious reference to physical abuse and identification with her handler and she appears in a uniform similar to a catholic schoolgirl.

The Babylonian Mystery Religion eventually became the Roman Catholic Church and factions of the church are at the root of the mind control network. Survivor Cathy O’Brien’s formal induction as a presidential model mind controlled slave began with her first Holy Communion where she was given the “Rite to Remain Silent.” She received a Rosy Cross necklace which would lead her through the rest of her mind controlled existence. Her abuser told her he worked for the Vatican and now, so did she.

The Rite to Remain Silent is anchored in the “Vow of Silence” performed by the Jesuit monks. At the end of the music video Britney awakens from her disassociation to find that the entire scenario was all in her imagination. This becomes a common theme in many of her videos.

In the 1. 99. 9 video, You Drive Me Crazy, Britney co- stars with Nickelodeon star, Melissa Joan Hart otherwise known as Sabrina the Teenage Witch. The setting is a factory for mass producing slaves.