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The Great Wall of Money. Monday 1. 2th October 2.

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Whether it's waterfront trophy homes or apartments off the plan, or even massive commercial developments, Chinese investment in our real estate has surged by more than 4. A$1. 2 billion spent in the previous financial year alone. Property is now the number one Chinese investment in Australia. Watch I, Frankenstein Online IMDB. So who are these investors and what do they see in Australia?

On Four Corners you'll meet members of China's super rich, the new generation of global property investors who call Australia home: "I think this is the best period of time in Australia's history. The vast capital from China, including entrepreneurs like us, have been looking for investment opportunities worldwide."Chinese multi- millionaire property investor. And they're clear about what they want: "The priority is view .. You know, it's something money cannot buy in China."Real estate agent. There are also Chinese middle class buyers looking for a holiday home, a place to retire to, or just a good investment: "Compared to Shanghai property, Sydney property is not that expensive."Chinese investor. And developers: from a billion dollar megaresort on the Gold Coast; to Melbourne's tallest residential tower; marquee sites in Sydney and whole city blocks in Perth - they're shaping our city skylines."I came over 1.

After my graduation I fall in love with the country, loved the lifestyle, decided to stay, make something good out of it."Chinese property developer. Some are the progeny of China's political elite, known as 'princelings', whose links here begin with an Australian school or university: "You'll find at the top universities across this country, a whole influx of young people of Chinese background who have been sent here by parents. Safe investment, they don't live in fear of the State taking their assets from them."Former Australian Federal Minister and China business specialist. But there are hidden dangers in doing business with China: endemic corruption; a lack of transparency in both business and the legal system, and questions about where the money is coming from and whether ill- gotten gains are being laundered."China (is) by far the biggest exporter of illicit capital."International money laundering expert. With billions of dollars flowing out of China, international money laundering experts are warning that some of it is making its way into Australia: "Real estate is recognised internationally as one of the means by which people will launder money." Former money laundering investigator. THE GREAT WALL OF MONEY, reported by Linton Besser and presented by Kerry O'Brien, goes to air on Monday 1.

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Monday 12th October 2015. Anna And The King Full Movie Part 1. Whether it's waterfront trophy homes or apartments off the plan, or even massive commercial developments, Chinese investment in. OLED! https://www.cnet.com/products/sony-a1e-series/preview/ In 2017, Sony enters the OLED fray. The new A1E series will ship later this year at. Have I not commanded you? Be strong and courageous. Do not be afraid; do not be discouraged, for the Lord your God will be with you wherever you go. These are soley my opinions and are not influenced from the thomas & friends fanbase. IN THIS ISSUE. CYCLE TORQUE AUGUST 2013 - 2. WE LOVE Fathers’ Day around the Cycle Torque office, because it’s a great opportunity to have a look at all sorts of.

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October at 8. 3. 0pm. It is replayed on Tuesday 1. October at 1. 0. 0. Wednesday 1. 4th at midnight. It can also be seen on ABC News 2.

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KERRY O'BRIEN, PRESENTER: Tonight on Four Corners: China's massive shopping list for Australian real estate. Who's buying it and where does their money come from? LULU PALLIER, SOTHEBY'S INTERNATIONAL REALTY: They come to this country, they want to buy something special.. So waterfront with a view, with a nice house on it: it's something money cannot buy in China.

Yeah. MATTHEW KHOO, FINANCE DIRECTOR, ICD PROPERTY: A- at the time it was actually the, the fastest, ah, tower to sell. We sold 1. 00 per cent of the, the tower within eight months. LULU PALLIER: This is sold two years ago to a Chinese businessman, Mr Wong, for $5. RAYMOND BAKER, GLOBAL FINANCIAL INTEGRITY: A lot of governments don't want to ask the questions. Watch Scared Stiff Streaming on this page.

They simply want the money flowing in. Well, I'm sorry. You do that and you expose yourself to a great many risks, not only in your own country but you're also damaging the countries out of which that money is coming. KERRY O'BRIEN: Whether it's waterfront trophy homes, apartments off the plan or massive commercial developments, Chinese investment in Australian real estate has surged by more than 4. Property has now eclipsed mining as the number one Chinese investment in Australia.

It's part of an extraordinary flight of capital out of China, estimated in the trillions of dollars, which may be the biggest exodus of money from a single country in financial history. While Chinese investment has been a boon for Australia - and much of it is legitimate - according to money laundering agencies there are also billions of dollars in ill- gotten gains being illicitly siphoned offshore and Australian authorities are doing precious little to investigate the source or the destination of these funds.

Our investigation has revealed that one source of investment is a Chinese firm involved in international arms dealing and another is the riches amassed by relatives of China's political elite, known as 'the Princelings.' You're about to meet some of them in this report by Linton Besser. LINTON BESSER, REPORTER: Lulu Pallier is in Shanghai on business. It's China's financial capital, where bicycles have given way to Bentleys and revolutionary slogans have been replaced by designer labels.

But what Lulu is selling is not here in China: it's on the other side of the world. LULU PALLIER, SOTHEBY'S INTERNATIONAL REALTY: I'm meeting potential clients who are willing to in- have investment in Australia.(Footage of Lulu holding meeting of potential investors around large round table)LINTON BESSER: Lulu Pallier is spruiking Sydney real estate. LULU PALLIER (translation): Feel free to ask me any questions about purchasing property in Australia. LINTON BESSER: For Chinese buyers like Huang Cheng, an Australian property is the perfect investment.

HUANG CHENG, POTENTIAL INVESTOR (translation): Compared to Shanghai property, Sydney property is not that expensive. JENNY HU, POTENTIAL INVESTOR (translation): I have not bought yet and am still looking. I want to have a house for my holiday in future. I like Australia as it has good weather and quality food. LINTON BESSER: Iris Huang is here to sign the contract on a Sydney apartment she has only ever seen on the internet. IRIS HUANG, INVESTOR: I haven't seen it. But I've been living Australia, so I'm kind of like familiar with that area, so I don't need to see.

I think most.. Most of the investment: if they trust somebody like Lulu, the real estate agent, I don't think they need to see. It's just sign and email it. It's very convenient. Yeah.(Footage of Liu Qi leading Jenny Hu to a table at one of his restaurants)LINTON BESSER: Across town, Lulu visits another client.

Liu Qi owns a chain of restaurants: a thriving business that celebrates the founder of China's communist state. He bought his Sydney apartment in June with an eye to the future. LIU QI (translation): My daughter got her bachelor's degree in the US and she is studying her master's degree in Sydney.

I asked her to study in Sydney as the time difference is two hours and the weather is good. I think after I retire, I can live there. LINTON BESSER: Liu Qi's investment is part of a huge wave of Chinese money pouring into the Australian real estate market. In just five years, it's surged more than 4. Back in Sydney, Lulu Pallier is not just selling humble apartments. For the growing ranks of China's super rich, the aim is a trophy home.(Lulu Pallier is showing potential clients a large house overlooking Sydney Harbour)And there is nowhere more desirable than the waterfront suburbs around Sydney's world- famous harbour. POTENTIAL CLIENT: Fish tank.

Oh. LULU PALLIER: They want to buy something special.

Seven Positions” tm is delighted to bring to the fore Randy Campora: a thinking man, fully human, and exceptionally musical. From the storied bass trombone chair of the Baltimore Symphony, to a brimming infusion of brass masters past and present, to a life of varied experiences fully absorbed- Campora is focused on exceptional symphonic performances. Join him as he wanders from California to Florida on the road to Baltimore. Enjoy! 1. What childhood memories do you have of California, and Florida? My grandparents were Italian immigrants who owned a small orchard of almonds and walnuts just east of Stockton, California. As a child I lived first on the orchard, and then in the very small town of Linden, the center of which was the high school, at which my father was the head football coach. I remember the smell of the earth when the first raindrops fell, the taste of the ripe Bing cherries, swimming in the walnut paddies flooded in the summer, the sound of the nuts being shaken from the trees at harvest, and football games in the fall.

My father changed careers when I was 1. Tallahassee, Florida. It was a huge adventure for our family and we loved it. We had African American friends and classmates for the first time, acquired something of a Southern accent, experienced the food, loved the jungle- esque flora and fauna, and generally came to appreciate the wonderful people and culture of the South. We were also blessed by the fact that Tallahassee is a college town, with Florida State and Florida A& M universities, which brought the great things of the world to the relatively small city, including great music programs, nightly orchestra broadcasts on public radio, and golf courses everywhere. I am so glad I got to live in both those unique locales as a kid. What made you decide to study Spanish?

And where has it taken you, both musically and non- musically. I first studied Spanish in my last two years in high school, which served as a decent foundation for when I really had to learn it in the Missionary Training Center for Latter- day Saint (Mormon) missionaries in Provo, Utah. I was assigned to the Houston, Texas Spanish- speaking mission, and only spent eight weeks in the training center—after that it was off to Houston and sink or swim with the language. I loved the people I met there over the next two years. They were so humble and genuine, and very patient with me as I learned their language and culture. I probably gained more from them than they did from me. Civil wars were raging in Central and South America at that time, and the people I met from those countries had sad stories to tell.

Heavy stuff for a nineteen- year- old kid away from home for the first time. I also met folks from every region of Mexico, which also meant the food was excellent! After that, I have been able to use Spanish, though not as much as I would have liked. I was in a Salsa band for a semester at FSU. Later at Peabody I taught a wonderful bass trombonist from Brazil named Joao Paulo Moreira for almost a year. We both had Spanish as our second language so we used that as our lingua franca—it worked but led to some funny situations from time to time.

I would very much like to be able to make more contact with the Spanish speaking trombone world in the future, especially since they are producing so many wonderful players these days. Your talent and discipline found great mentors and opportunities. What was it like to be “the kid”- first as a high school trombonist at FSU, and later as an undergrad in the Baltimore Symphony Orchestra? One of the things I have marveled at as I have gotten older is the edifying attitude the more experienced players had towards me both at FSU and in the Baltimore Symphony. I was 1. 6 when I joined the Florida State top jazz ensemble, which included many grad students. They could have turned their noses up and made life tough for a kid who was below rookie status, but they did the opposite: they taught me the ropes, expected me to come up to their level, and led by example.

I remember one night after rehearsal Jeff Thomas (now principal trombone of the Orlando Philharmonic and chief Disney trombonist) took me aside and taught me how to “blow freely” and really make a sound that could be heard inside and in front of the group. Blow Freely was the catch phrase of our professor William F. Cramer at FSU, but I had not studied with him yet, so I had to learn what that meant, to really resonate the instrument first and foremost before music can be made. In my official Freshman year, I was invited to join the Peninsula Trombone Quartet. The other members—David Gatts, Christian Dickinson and David Burris—were grad students. They were so wonderful to work with and taught me so much, and it is to this day some of the most enjoyable playing I have ever done. Coming into the BSO was much the same.

I transferred to Peabody at the start of my third undergraduate year, and won the BSO audition towards the end of that school year when Doug Yeo won the Boston chair. I was twenty- three when I started in the orchestra, and it was David Zinman’s first official year as music director. Eric Carlson, Jim Olin, David Fetter and David Fedderly were the icons whom I heard play each week with the BSO, and also my professors at Peabody. But they treated me as an equal colleague from the very first day in the orchestra (my first two weeks in the orchestra were Bruckner 4 and Pictures!).

Eric Carlson and his wife Lorraine took me to Orioles games, and Eric was a huge influence in my education of orchestra life (what an amazing player Eric is, deserving of much greater recognition—just listen to those Philadelphia recordings with Muti and Sawallisch). One thing I’ll always cherish is how David Fedderly, my tuba partner in the BSO for almost thirty years, approached the relationship: he never told me how to play. He just played and communicated by listening and singing out his part every single day. If I had a question I could always ask him something, but we relied on the radar method of aural musical communication. I highly recommend this approach as a way to live happily with our colleagues, and Dave was a master at it. Of course, it helps that he was one of the finest orchestral tubists in history . It’s fun to welcome many wonderful younger players as new members of the BSO now.

And it’s strange to now be the longest tenured member of the brass section. An orchestra really does need a mix of older and younger players—they each bring important things to the group. Can you put into words the impact of Doug Yeo on your musical and personal life? His depth is considerable and his breadth is impressive. There truly is only one Douglas Yeo in this world. I have never met another trombonist who is more committed, curious, hard- working, intelligent, self- aware, faithful and willing to serve others than Doug. He has been nothing but a blessing to me in my life, and it has been fun and helpful to keep in touch with him through his time in Boston, then at Arizona as a professor, and now as “force- to- be- reckoned- with” in the world at large.

He has been an example to me in all areas of life. I transferred to Peabody because I needed to learn how to play excerpts for orchestral auditions, but also how to play in an orchestra once I (hopefully) got a job, and I thought it was important to study with a bass trombonist.