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Ariel Pink - Wikipedia. Ariel Marcus Rosenberg (born June 2. Ariel Pink, is an American singer, songwriter, and multi- instrumentalist. His music is characterized by a lo- fi sound that draws heavily on the influence of 1.

He is credited with pioneering the hypnagogic pop style and later inspiring chillwave.[1. Rosenberg was born and raised in Los Angeles and began writing songs at "around 1. He first gained recognition after signing to Animal Collective's Paw Tracks label in 2. He found wider exposure following the release of Before Today (2.

Avengers: Age of Ultron is a 2015 American superhero film based on the Marvel Comics superhero team the Avengers, produced by Marvel Studios and distributed by Walt. Ariel Marcus Rosenberg (born June 24, 1978), also known by the moniker Ariel Pink, is an American singer, songwriter, and multi-instrumentalist based in Los Angeles. Includes an overview, awards, reviews, and other information from the Internet Movie Database. First interstellar object from beyond our solar system spotted by astronomers. Mysterious space rock passes near Earth at ‘extremely fast’ 15.8 miles per second.

Until 2. 01. 4, his albums were usually credited to "Ariel Pink's Haunted Graffiti", a solo project sometimes conflated with his touring band.[1. Early life[edit]Ariel Marcus Rosenberg was born on June 2. Mario Z. Rosenberg and Linda Rosenberg- Kennett.[1. His father, a gastroenterologist, was born in Mexico City and his family is Jewish.[1. His parents divorced when he was two years old.[2.

Rosenberg was raised in the Beverlywood[2. Los Angeles. In his youth, he attended Beverly Hills High School and later entered the California Institute of the Arts studying visual art. After dropping out, he joined a Hindu ashram before focusing on music, wanting to "hide my personality, I could sing in different voices, use cover pictures that looked nothing like me".[2. Working at a record store, Rosenberg developed an encyclopedic knowledge of the pop canon, listening and absorbing everything from Michael Jackson and '8.

R. Stevie Moore, Throbbing Gristle, Can and death metal. He has cited The Cure – particularly their early albums – as his favorite band of all time.[2. He started writing songs at "around age 1. In the summer of 2.

Rosenberg passed a CD- R on to Baltimore, Maryland- based band Animal Collective[2. Unbeknownst to Rosenberg, Animal Collective had recently started their own record label, Paw Tracks. Recalling the time, the band says in the CD- booklet that it "sat on the floor of the van for a week or so [..]. One day, we noticed it and randomly threw it on and were immediately blown away. It was just like 'Woah, what is this!? We knew it could have only been made by this individual, and so made it our goal to officially release his records on our new label." Several weeks later they contacted him to sign him on Paw Tracks,[2. Rosenberg the first non- Animal Collective musician on the label.[2.

The next year, the label reissued The Doldrums (2. In 2. 00. 5 and 2. Paw Tracks reissued two more of Rosenberg's previous recordings, Worn Copy (2. House Arrest (2. 00.

Having been primarily a recording artist up until this point, Rosenberg's early solo tours and performances were generally met with much negativity, because "it was music that was never intended to be performed live for commercial audiences."[this quote needs a citation] However, after initially spending years playing shows with pre- recorded music, karaoke style, Rosenberg slowly attracted what would become his full- time band, composed of renowned musicians who have since helped bring his recordings to life.[2. The backing band consisted of keyboardist/guitarist/backing vocalist Kenny Gilmore, drummer/vocalist/guitarist Jimi Hey, guitarist Cole M. G. N., and bassist Tim Koh.[2. Some shows were erroneously billed as "Ariel Pink" fronting a band called the "Haunted Graffiti", which Rosenberg says led to a "common misconception .. Haunted Graffiti, that was my project, not like a persona.

My name's Ariel Rosenberg and I have a solo project that I called Ariel Pink's Haunted Graffiti. Haunted Graffiti’."[1. In November 2. 00. Ariel Pink's Haunted Graffiti was signed to 4.

AD records.[3. 1] He released a new mp. Round and Round" in March 2. AD released it as a 7" single, backed with "Mistaken Wedding".[3. A new album, Before Today, followed on June 8, 2. Before Today was recognized by Pitchfork in their "Best New Music" category. The album includes some new versions of songs released on previous records, notably "L'Estat (acc. Round and Round" (formerly titled "Frontman/Hold On (I'm Calling)") and "Beverly Kills".[3.

In December 2. 01. Pitchfork named "Round and Round" the number 1 song on their list of The Top 1. Tracks of 2. 01. 0.[3. Ariel Pink's Haunted Graffiti were chosen by Animal Collective to perform at the All Tomorrow's Parties festival that they curated in May 2. In 2. 01. 1, Jesus. Warhol Records released a four- song EP featuring Ariel Pink called the Similarly Different EP.[3.

The EP was a collaboration between Rosenberg and another Los Angeles artist called co. L. Together, the act was called Atheif.[3. On August 2. 0, 2.

Ariel Pink's Haunted Graffiti released a new album, Mature Themes.[4. On November 1. 7, 2. Rosenberg released pom pom, which was the first album to drop "Haunted Graffiti" from its credit. The album includes several songs written by Kim Fowley, who wrote them from his hospital bed for Ariel to perform.[4. Earlier that October, Rosenberg reported to the online journal Faster Louder that Interscope Records contacted him about working with Madonna, and that they needed "something edgy.

She can’t just have her Avicii, her producers or whatever, come up with a new techno jam for her to gyrate to and pretend that she’s 2. The article embroiled him into a minor controversy, with Grimes calling his comments "delusional misogyny".[2. He responded: "I was only repeating what Interscope told me about why they needed me. They’re not my opinions. It’s clickbait journalism. I’m not a misogynist."[2.

On September 1. 5, 2. Dedicated to Bobby Jameson marked Rosenberg's debut on the Brooklyn based label Mexican Summer. The album was released to generally favorable reviews.[4. In promotional interviews for the album, Rosenberg intimated that his desire for attention and willingness to release albums has declined, and instead talked mostly about the musician Bobby Jameson.[4. Style and impact[edit]Rosenberg's early recordings, often conspicuously DIY, foregrounded a distinctive lo- fi sound[4. His approach subverts the common privileging of songwriting over production, making the recording medium and sound texture a large part of the artwork itself.[4. After receiving attention in early discussions of hauntology in music,[1.

Pink produces and plays almost all of his own music, and, in his early days, was noted for creating drum sounds and effects using his mouth.[5. Despite having a low profile in the mid- to- late nineties, his self- recorded music was considered to be influential on the development of the DIY culture in music.[5. Discography[edit]Studio albums. Compilation. Odditties Sodomies Vol. Ariel Pink's Haunted Graffiti)References[edit]Notes^The liner notes for Before Today explicitly refer to "Ariel Pink's Haunted Graffiti" as a band.[3.

Citations^ ab. Henderson, Alex. Ariel Pink's Haunted Graffiti Biography All. Watch I`Ll See You In My Dreams HDQ. Music". All. Music.

Retrieved December 1. D^"The Acid Pop Genius of Ariel Pink".

February 2. 5, 2. REVIEW: ARIEL PINK, POM POM". Pretty Much Amazing. November 2. 01. 4. Retrieved 3. 0 January 2. Ariel Pink Says He's Writing Songs for Madonna". ^"Want to Play a Tour Date? Hit Send". The New York Times.

February 2. 6, 2. September Wasn't All Doom And Gloom – 1. Great Releases You Might Have Missed – NME". September 2. 8, 2. Kevin O'Donnell (2.

Watch Ariel Pink Rock 'Late Night' in Drag". SPIN. Retrieved 2.

Sean Michaels. "Ariel Pink says Madonna enlisted him for new album to help 'downward slide'". The Guardian. Retrieved 2. Mark Richardson (2. Ariel Pink's Haunted Graffiti: Before Today Album Review". Pitchfork. Retrieved 2.

PFD). Dropbox. Retrieved 1. December 2. 01. 4. ^ abc[1]^ abc. Gabriele, Timothy (June 8, 2. Ariel Pink's Haunted Graffiti Before Today".

Pop. Matters. ^Houle, Zachary (August 1. Mature Themes". Pop. Matters. ^ ab"Ariel Pink 'Nixon is the best president we ever had.'".

Insights. September 7, 2. Weiss, Alexandra (August 2. Ariel Pink Hasn't Lost His Marbles Yet".

Bullett Media. ^Harkin, Michael (May 5, 2. LA Story: Ariel Pink and Warpaint Contemplate Fake Michael Jacksons, First Crushes, and 1.

Marvel Cinematic Universe – Wikipedia. Marvel Cinematic Universe (MCU) är en amerikansk mediafranchise och ett fiktivt gemensamt universum, som är centrerat kring en filmserie av superhjältefilmer som är självständigt producerade av Marvel Studios och baserade på olika superhjältar, alla skapade och ägda av seriebolaget Marvel Comics. Franchisen har expanderats till bland annat serietidningar, kortfilmer och TV- serier.

Det gemensamma universumet, likt Marvels universum i serierna, etablerades det gemensamma crossoverhandlingar, miljöer, rollbesättning och karaktärer. Clark Gregg har medverkat flest gånger i franchisen, där han spelar rollfiguren Phil Coulson som är en originalskapelse för MCU. Den första filmen i filmserien som hade premiär var Iron Man (2. Marvel's The Avengers (2. Fas 2 började med Iron Man 3 (2. Ant- Man (2. 01. 5). Marvel har även påbörjat Fas 3, som började med premiären av Captain America: Civil War (2.

Universumet började expanderas med den första officiella serietidningen år 2. Marvel One- Shots år 2. TV- serien Marvel's Agents of S. H. I. E. L. D. under TV- säsongen 2. Marvel har för närvarande ett flertal filmer och TV- projekt i olika utvecklingsstadier. Franchisen som helhet rankas som den näst mest inkomstbringande filmfranchisen genom tiderna och den mest inkomstbringande filmfranchisen i USA och har inspirerat andra filmstudior med filmrättigheter till seriefigurer att försöka att skapa liknande gemensamma universum."It is daunting but it's fun.

It's never been done before and that's kind of the spirit everybody's taking it in. The other filmmakers aren't used to getting actors from other movies that other filmmakers have cast, certain plot lines that are connected or certain locations that are connected, but I think .. Primarily because we've always remained consistent saying that the movie that we are making comes first. All of the connective tissue, all of that stuff is fun and is going to be very important if you want it to be.

If the fans want to look further and find connections, then they're there. There are a few big ones obviously, that hopefully the mainstream audience will able to follow as well. But .. the reason that all the filmmakers are on board is that their movies need to stand on their own. They need to have a fresh vision, a unique tone, and the fact that they can interconnect if you want to follow those breadcrumbs is a bonus."—Kevin Feige, President of Production för Marvel Studios, om att konstruera ett delat filmuniversum.[1]År 2. Marvel Studios planera för att självständigt producera sina egna filmer och distribuera dessa genom Paramount Pictures.[2] Studion hade tidigare samproducerat ett flertal superhjältefilmer med bland annat Columbia Pictures och New Line Cinema, däribland ett sjuårigt utvecklingsavtal med 2. Century Fox.[3] Marvel Studios tjänade relativt lite pengar från dess licensavtal med andra studior och ville tjäna mer pengar genom sina egna filmer samtidigt som de behöll den konstnärliga kontrollen över projekten och dess distribution.[4] Marvel Studios chef Kevin Feige insåg att till skillnad från Spider- Man och X- Men, där dessa filmrättigheter hade licensierats till Columbia och Fox, ägde Marvel fortfarande rättigheterna till huvudmedlemmarna i Avengers.

Feige, som är ett hängivet fan, föreställde sig skapa ett gemensamt universum precis som skaparna Stan Lee och Jack Kirby hade gjort med sina serietidningar i början av 1. För att samla in kapital fixade studion finansiering från en sjuårig kreditfacilitet på $5. Merrill Lynch.[4] Marvels plan var att släppa individuella filmer för sina huvudkaraktärer och efter det förena dem i en crossoverfilm.[6] Feige kallade från början det gemensamma universumet för "Marvel Cinema Universe",[7] men gick senare över till det mer kända namnet "Marvel Cinematic Universe".[8]. Kevin Feige var en tidig visionär för franchisen, som insåg att ett gemensamt universum kunde skapas utifrån serier som Marvel äger. I november 2. 01. Feige att "i en idealisk värld" skulle det varje år släppas en film baserad på en existerande seriefigur och en med en ny figur, där han kallade detta format för "en fin rytm".

Medan detta inte alltid är fallet, som framgår av 2. Iron Man 3 och Thor: The Dark World, kommenterade han detta som "något verkligen att sträva efter."[9] Feige utvecklade denna förklaring i juli 2. I don't know that we'll keep to [that model] every year, but we're doing that in 2. So I think it would be fun to continue that sort of thing. I don't know that we will [do that] all the time, but as a general model, I think that would be fun."[1.

I februari 2. 01. Marvel Studios vill efterlikna den "rytm" som serietidningarna har utvecklat, genom att låta karaktärerna dyka upp i deras egna filmer och sedan träffas, likt "ett stort event eller crossoverserie."[1. Efter avslöjandet av flertalet premiärdatum fram till år 2.

Feige följande: "I think if you look at some of those dates that we've announced, we're going to three in a few of those years. Again, not because there's a number cruncher telling us to go to three, do more than two pictures a year, but because of the very reason just laid out: It is about managing [existing] franchises, film to film, and when we have a team ready to go, why tell them to go away for four years just because we don't have a slot?

We'd rather find a way to keep that going."[1. När det gällde att utveckla karaktärerna i universumet och låta de enskilda filmerna och fungera på egen hand, till skillnad från att ha Avengers- samarbeten utanför dessa filmer, uppgav Feige att detta handlade om: "Teaching the general movie going audience about the notion of the characters existing separately, coming together for specific events and going away and existing separately in their own worlds again.

Just like comic readers have been doing for decades and decades.. People sort of are accepting that there's just a time when they should be together and there’s a time when they’re not."[1. I april 2. 01. 4 avslöjade han att Edgar Wrights pitch för Ant- Man år 2. Marvel Cinematic Universe, där han förklarade: "We changed, frankly, some of the MCU to accommodate this version of Ant- Man. Knowing what we wanted to do with Edgar and with Ant- Man, going years and years back, helped to dictate what we did with the roster for Avengers the first time. It was a bit of both in terms of his idea for the Ant- Man story influencing the birth of the MCU in the early films leading up to Avengers."[1. Marvel Studios har utvecklat särskilda affärsmetoder för att skapa sitt gemensamma universum.

Ett exempel är när studion anlitade Kenneth Branagh och Joe Johnston för att regissera filmerna Thor och Captain America: The First Avenger, såg de till att de båda regissörerna var öppna för tanken om ett gemensamt universum, samt att de måste ha med scener som etablerar Avengers i sina filmer.[5] Joe Russo, som är en av regissörerna bakom Captain America: The Return of the First Avenger fällde följande kommentar rörande ämnet: "That's the exciting component of [incorporating references to the larger universe]. What can we set up for the future?' You're constantly pitching out ideas that not only affect your movie, but may have a ripple effect that affects other films.. It's a weird sort of tapestry of writers and directors working together to create this universe that's sort of organic."[1. Joes bror och medregissör, Anthony, förklarade, att för att regissören ska "passa" in hos Marvel, så måste denne: "understand how [to] take a larger story and wrangle in [sic] into a moment, yet keep [it] connected."[1. Angående ämnet om att låta regissörer och manusförfattare jobba i Marvels koncept om ett gemensamt universum, kommenterade Joe Russo : "I think the way Kevin [Feige] does it is there are big pieces that he knows he wants to build towards, but the way that you get there is open to interpretation and improv a little bit.